Shots from various projects and trips in 2025 and 2026.
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Recent Teacher Comments
4/29 12:41 pm - This is a very solid real showcasing lots of different situations from nonfiction to fiction lighting conditions and so on. Good job
4/28 1:21 pm - You’ve collected a nice variety of locations here, but the technical execution struggled in some key areas—specifically exposure. Many of your shots had 'blown out' highlights where the details in the clouds or bright surfaces were completely lost to white. In cinematography, mastering 'Lighting & Exposure' means showing you can protect those details in both controlled and unpredictable natural environments, which is a hallmark of the top entries in this festival. My advice for your next reel is to practice using manual settings—specifically shutter speed and aperture—to keep those highlights under control. It’s better to have a slightly darker image that you can brighten later than a blown-out image that has lost all its data. Moving forward, try to move beyond 'scenic' shots and show us how you can use light to create a specific mood.
4/6 9:50 am - PROS
The reel demonstrates a clear ambition to capture a variety of environments, ranging from expansive aerial perspectives to intimate interior details. The high-angle overhead shot of the desk (0:19) shows an attempt at creative framing, aiming to provide a unique "top-down" look at a subject's process. The garden and nature footage (0:22) shows a good use of natural light and color, successfully capturing the vibrant textures of the environment. These moments indicate an interest in exploring different camera heights and locations to build a diverse visual portfolio.
IMPROVEMENTS
Some technical areas require immediate attention to improve the professional quality of the work. The plane window sequence (0:16) lacks the clarity and stability needed to be effective. The horizon line in the mountain shots (0:15) is noticeably canted with no intention. Ensuring the camera is level is a fundamental step in maintaining visual fluency. Focus is a struggle in critical shots, particularly the overhead desk sequence (0:20), where the primary subject matter is soft. Focusing on the "Rule of Thirds" for framing and utilizing a level or grid on the camera monitor will help correct these foundational composition issues.
OVERALL
Overall, while there is a clear effort to provide a diverse range of clips, the technical execution currently overshadows the creative intent. The "foundational" elements of cinematography (focus, level horizons, and intentional framing) need to be solidified before the more experimental shots can truly land. By slowing down to check the technical details of the frame before recording, the creator can ensure that their creative risks are supported by professional-grade execution.